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  • Feb
    7 Wed
    Savage Hands, Archers, Nerv and more TBA

    Savage Hands, Archers, Nerv and more TBA

    Baltimore, MD
    United States
    Doors at 6:00 PM, Show at 7:00 PM
    TICKET PRICES CURRENTLY AVAILABLE
    ADVANCED: $18.00
    DAY OF: $20.00

    TICKET SALE DATES
    ADVANCED Public Onsale: December 1, 2023 10:00 AM to February 6, 2024 11:59 PM
    DAY OF Public Onsale: February 7, 2024 12:00 AM to February 7, 2024 5:00 PM

    PERFORMANCE DESCRIPTION
    Savage Hands
    Archers
    Nerv
    More TBA

     Public Onsale:
    10:00 AM
    Dec 1, 2023
     Public Onsale:
    12:00 AM
    Feb 7, 2024
  • Feb
    17 Sat
    An Evening with NRBQ

    An Evening with NRBQ

    Baltimore, MD
    United States
    Show at 8:00 PM
    TICKET PRICES CURRENTLY AVAILABLE
    ADVANCED: $35.00
    DAY OF: $40.00

    TICKET SALE DATES
    ADVANCED Public Onsale: October 19, 2023 10:00 AM to February 16, 2024 11:59 PM
    DAY OF Public Onsale: February 17, 2024 12:00 AM to February 17, 2024 6:00 PM

    PERFORMANCE DESCRIPTION
    An Evening with NRBQ!
    "NRBQ are that rare group that’s eclectic, stylistically innovative, and creatively ambitious while also
    sounding thoroughly unpretentious and accessible. At its best, NRBQ‘s music casually mixes up
    barrelhouse R&B, British Invasion pop, fourth-gear rockabilly, exploratory free jazz, and dozens of other
    flavors while giving it all a stomp-down rhythm that makes fans want to dance and expressing a sense of
    joy and easy good humor that comes straight from the heart."

  • Feb
    20 Tue
    Blonde Redhead and guests TBA
    SEASON PASSES WILL NOT BE ACCEPTED

    Blonde Redhead and guests TBA

    Baltimore, MD
    United States
    Doors at 7:00 PM, Show at 8:00 PM
    TICKET PRICES CURRENTLY AVAILABLE
    INDIVIDUAL: $30.00

    TICKET SALE DATES
    INDIVIDUAL Public Onsale: November 17, 2023 10:00 AM to February 20, 2024 6:00 PM

    PERFORMANCE DESCRIPTION
    Blonde Redhead 
    special guests TBA

  • Feb
    24 Sat
    Indigo De Souza
    u+n booking presents

    Indigo De Souza

    Baltimore, MD
    United States
    Doors at 8:00 PM, Show at 9:00 PM
    TICKET PRICES CURRENTLY AVAILABLE
    ADVANCED: $25.00

    TICKET SALE DATES
    ADVANCED Public Onsale: November 3, 2023 10:00 AM to February 23, 2024 11:59 PM

    PERFORMANCE DESCRIPTION
    Indigo De Souza

    “I was finally able to trust myself fully,” says Indigo De Souza of making her masterful third
    album All of This Will End. When the North Carolina-based artist released her compelling and
    explosive second LP Any Shape You Take in 2021, it led to a successful year of sold out tours
    and rave reviews from outlets like Pitchfork, the New York Times, and the New Yorker. Across
    11 songs, the LP, which is out via Saddle Creek, is a raw and radically optimistic work
    that grapples with mortality, the rejuvenation that community brings, and the importance of
    centering yourself now. These tracks come from the most resonant moments of her life:
    childhood memories, collecting herself in parking lots, the ecstatic trips spent wandering
    Appalachian mountains and southern swamps with friends, and the times she had to stand up
    for herself. “All of This Will End feels more true to me than anything ever has,” she says.
    Indigo finds recent inspiration from community and stability. “Up until recently, my life felt
    chaotic,” she says. “Now, so much of the chaos is behind me. I have an incredible community, I
    love where I live, and I’m surrounded by truly incredible people who are dedicated to deep
    connection and joy. My music feels like it's coming from a centered place of reflection.” Opener
    “Time Back” deals with the necessary forward momentum she cherishes. It’s a song about rising
    out of struggle, putting things in the past, and moving on where she sings over comforting
    synths, “I feel like I’m leaving myself behind / And I’m so tired of crying / I wanna get back up
    again.” The track later explodes with her voice booming over a stunning arrangement. “You can
    fall into dysfunction or sadness, or allow other people to hurt you and not have boundaries,” she
    says. “There was a time in my life when that was a lot of what I was doing. I thought this track
    was a sweet way to talk about coming back to yourself, to your true self.”

    Alongside the all-encompassing emotions captured in the first song, the album is bookended
    with the heartfelt and nostalgic closer “Younger and Dumber,” which Indigo chose as the lead
    single. One of the first songs she wrote for the album, the track began as a way of her speaking
    to her younger self. “While I was writing about the time when my music first started to take
    shape, it was also the worst time in my life and the most unstable I'd ever been,” she says. “I
    wrote this song paying homage to a younger self that didn't know any better. I was flailing
    through life, trying to make something stick, and coming to terms with being on earth.” The song
    is her most intentional yet, where she sings, “You came to hurt me in all the right places / Made
    me somebody.” Though the track starts as a whisper, it slowly unfolds to something cathartic
    and explosive as she belts out, “And the love I feel is so very real it can take you anywhere.”
    With the clarity that comes with experience and healing, Indigo treats her past self with
    immense kindness. It’s her most stunning offering yet.



  • Feb
    28 Wed
    Mary Timony, Birthday Girl DC, Quattracenta

    Mary Timony, Birthday Girl DC, Quattracenta

    Baltimore, MD
    United States
    Doors at 7:00 PM, Show at 8:00 PM
    TICKET PRICES CURRENTLY AVAILABLE
    ADVANCED: $20.00
    DAY OF: $22.00

    TICKET SALE DATES
    ADVANCED Public Onsale: November 10, 2023 10:00 AM to February 27, 2024 11:59 PM
    DAY OF Public Onsale: February 28, 2024 12:00 AM to February 28, 2024 6:00 PM

    PERFORMANCE DESCRIPTION
    Mary Timony 
    with guests
    Birthday Girl DC 
    Quattracenta


    For more than 30 years, singer-songwriter and guitar hero Mary Timony has cut a distinctive

    path through the world of independent music, most recently as vocalist and guitarist of

    acclaimed garage-pop power trio Ex Hex (Merge) but also as a member of seminal post-punk

    band Autoclave (Dischord), celebrated leader of the deeply influential Helium (Matador),

    multifaceted solo artist (Matador, Lookout!, Kill Rock Stars), and a co-founder of supergroup

    Wild Flag (Merge). Described by Sleater-Kinney’s Carrie Brownstein as “Mary Shelley with a

    guitar” and dubbed “a trailblazer and an innovator” by [Mary’s former guitar student] Lindsey

    Jordan a.k.a. Snail Mail, Timony has distinguished herself as one of her generation’s most

    influential guitarists and songwriters. Although she has remained a cult hero and critical

    favorite since the early ’90s, appearing everywhere from 120 Minutes episodes to Coachella sets,

    Timony’s many triumphs have long been counterbalanced by crippling doubt and

    self-nullification.

    Her fifth solo album, Untame the Tiger, approaches these emotions head on. Her first solo

    release in 15 years is a startling document of an artist fully coming into her own power during

    the fourth decade of her career. It is the product of lessons learned during life-altering struggle.

    The mystical, acoustic-driven Untame the Tiger emerged after the dissolution of a long-term

    relationship and was bookended by the deaths of Timony’s father and mother. The album was

    recorded during a two-year period during which she was the primary caregiver for her ailing

    parents. “This was the hardest thing I’ve been through. Every week I had to manage a new

    crisis.”

    “I started realizing that I gotta control the things that I can,” says Timony, who would write songs

    while going on mind-clearing walks and bike rides around her native Washington, DC. “Because I

    was making impossible decisions on behalf of my parents, creative choices now seemed more

    manageable. Since I had to confront the reality of loss, I realized what was important to me

    about being alive, and I became less scared. The record became my anchor in a time when I was

    losing so much around me. It felt like all I had—a guide that helped me through, and gave me

    hope."

    The tectonic psychic shift Mary experienced due to the loss of a long-term relationship and also

    of her parents informs many of her lyrics. Standout track “No Thirds” “is a song about losing

    everything and having to keep on going,” says Timony. “I wanted the verses to sound like a

    wide-open barren space, like driving across a desert, because that is what the song is

    about—losing people and the feeling that your future is a giant, wide-open blank space.” The

    stripped-back acoustic instrumentation of “The Guest” conjures Sweetheart-era Byrds. Timony

    describes it as a song sung directly to loneliness: “I was imagining loneliness as a house guest

    who keeps knocking on your door. I thought it would be funny to say loneliness is the only one

    who always comes back.”

     


  • Feb
    29 Thu
    Shelby Morgan, Yutzi, Luke Justin Roberts, Noah Pierre Band

    Shelby Morgan, Yutzi, Luke Justin Roberts, Noah Pierre Band

    Baltimore, MD
    United States
    Doors at 7:00 PM, Show at 7:30 PM
    TICKET PRICES CURRENTLY AVAILABLE
    ADVANCED: $12.00
    DAY OF: $15.00

    TICKET SALE DATES
    DAY OF Public Onsale: November 27, 2023 10:02 AM to February 28, 2024 11:59 PM
    ADVANCED Public Onsale: February 29, 2024 12:00 AM to February 29, 2024 6:00 PM

    PERFORMANCE DESCRIPTION
    Shelby Morgan
    Yutzi
    Luke Justin Roberts
    Noah Pierre Band

  • Mar
    17 Sun
    Kurt Vile and The Violators

    Kurt Vile and The Violators

    Baltimore, MD
    United States
    Doors at 7:00 PM, Show at 8:00 PM

    PERFORMANCE DESCRIPTION
    Kurt Vile and The Violators
    with guest Weak Signal

    Sold Out
  • Mar
    19 Tue
    Sleepytime Gorilla Museum, Titan To Tachyons and Megazillion

    Sleepytime Gorilla Museum, Titan To Tachyons and Megazillion

    Baltimore, MD
    United States
    Doors at 7:00 PM, Show at 8:00 PM
    TICKET PRICES CURRENTLY AVAILABLE
    ADVANCED: $25.00
    DAY OF: $30.00

    TICKET SALE DATES
    ADVANCED Public Onsale: October 20, 2023 10:00 AM to March 18, 2024 11:59 PM
    DAY OF Public Onsale: March 19, 2024 12:00 AM to March 19, 2024 6:00 PM

    PERFORMANCE DESCRIPTION
    Sleepytime Gorilla Museum
    Titan To Tachyons
    Megazillion

  • Mar
    21 Thu
    Horse Lords with Ka Baird
    u+n booking presents

    Horse Lords with Ka Baird

    Baltimore, MD
    United States
    Doors at 7:00 PM, Show at 8:00 PM
    TICKET PRICES CURRENTLY AVAILABLE
    ADVANCED: $18.00
    DAY OF: $22.00

    TICKET SALE DATES
    ADVANCED Public Onsale: September 12, 2023 12:00 PM to March 20, 2024 11:59 PM
    DAY OF Public Onsale: March 21, 2024 12:00 AM to March 21, 2024 7:00 PM

    PERFORMANCE DESCRIPTION

    Horse Lords with Ka Baird

    Horse Lords return with Comradely Objects, an alloy of erudite influences and approaches given frenetic gravity in pursuit of a united musical and political vision. The band’s fifth album doesn’t document a new utopia, so much as limn a thrilling

    portrait of revolution underway. Comradely Objects adheres to the essential instrumental sound documented on the

    previous four albums and four mixtapes by the quartet of Andrew Bernstein (saxophone, percussion, electronics), Max Eilbacher (bass, electronics), Owen Gardner (guitar, electronics), and Sam Haberman (drums). But the album

    refocuses that sound, pulling the disparate strands of the band’s restless musical purview tightly around propulsive, rhythmic grids. Comradely Objects ripples, drones, chugs, and soars with a new abandon and steely control.

    This transformation came, in part, due to circumstance. Sidelined from touring their early 2020 album The Common Task in a world turned upside down, Horse Lords promptly returned to their Baltimore practice space and began piecing together the music that became Comradely Objects (Bernstein, Eilbacher, and Gardner have

    since relocated to Germany).

    Removed from their tried and true method of refining new music on the road, the quartet invested less energy ensuring live playability and more rehearsing and recording. The deliberate writing and tracking process, a rarity since the band’s earliest days, led to a collection of pieces that signal a new peak of creativity and musical heft without devolving into studio sprawl or frippery. Comradely Objects reflects familiar elements of Horse Lords’ established palette—the mantra-like repetition of minimalism and global traditional musics, complex counterpoint, the subtleties of microtonality, a breadth of timbres and

    textures drawn from all across the avant-garde—with some standout stylistic innovations.


    It’s vital that the Horse Lords’ instrumentals speak for themselves, and for the quartet’s shared musical and sociopolitical vision. The title derives from Imagine No Possessions, art historian Christina Kaier’s 2008 book on Russian Constructivist

    design. Constructivists shunned the artistic egoism and precious artifacts of capitalist art in favor of utilitarian objects for the masses. “The comradely object should promote collective, egalitarian ideals,” the band notes. “They tended toward

    simple, unadorned forms that emphasized utility and foregrounded the material.

     

     

    Comradely Objects works through what this means for the material of sound, for music, for the album, and for artistic production in the 21st century.” Not only does Comradely Objects redefine the possibilities for Horse Lords’

    shopworn format, it adds a new contour of confidence and finesse to the band’s reliefs mounted in both sticker-spattered indie hovels and the white-walled world of composition. It also solidifies their position among the foremost smugglers of radical musical and political ideas into contemporary music that happens to also, after a fashion, rock. Comradely Objects presents the most sublime document yet of the band’s ongoing interrogation of aesthetic and social form, purpose, and intent, alongside note, beat, and raw sound.


  • Mar
    24 Sun
    Between You & Me, Young Culture, Home Safe, Cherie Amour

    Between You & Me, Young Culture, Home Safe, Cherie Amour

    Baltimore, MD
    United States
    Doors at 6:00 PM, Show at 7:00 PM
    TICKET PRICES CURRENTLY AVAILABLE
    ADVANCED: $22.00
    DAY OF: $25.00

    TICKET SALE DATES
    ADVANCED Public Onsale: December 1, 2023 12:00 PM to March 23, 2024 11:59 PM
    DAY OF Public Onsale: March 24, 2024 12:00 AM to March 24, 2024 5:00 PM

    PERFORMANCE DESCRIPTION
    Between You & Me
    Young Culture
    Home Safe
    Cherie Amour

     Public Onsale:
    12:00 PM
    Dec 1, 2023
     Public Onsale:
    12:00 AM
    Mar 24, 2024

2549 North Howard Street
Baltimore, MD
United States