Mississippi Studios

w/ Bikini Drone



Ezra Bell

Ezra Bell was founded by Benjamin Wuamett and friends late in the summer of 2013. It was warm enough to sit on the porch into the evening and learn a couple of songs. A lap drum, a banjo and an out-of-tune guitar. Since then the cast of characters involved have moved around a bit. Having just finished their eighth studio album, they’ll wander around a bit and see if anyone likes it.

Bikini Drone

Bikini Drone plays a blend of world-spy pop, tropical soul, and desert rocking disco you can dance to, bringing an equal measure of song craft and live improvisation.



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MSHR is an art collective that collaboratively builds and explores sculptural electronic systems.

Their performances and installations integrate electrical signals and human presence, weaving dense networks of causality to form audiovisual environments that babble and flicker with a life-like current.

They explore intuitive and technical gradients between sonic and sculptural forms, using analog circuitry and open-source software to sculpt mutually resonant hyperobjects.



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The Tree Frogs, organic rock pioneers of Portland’s East Side Sound, played over 500 shows and travelled over 60,000 miles in 1990s, touring constantly in the US and Europe in support of 3 full length releases: Tree Frogs Live! (1994), Leap Year (1996), Live at the Laurelthirst (1997). Despite selling out 1000 seat venues on tour, the road took its toll and the band went on hiatus in late 1997.

In 2000, the jam band favorites returned to the stage, playing local venues and festivals throughout the Northwest, including a Happy Hour residency at the Laurelthirst Public House from 2006-2015. They sold out their 25th Anniversary show in 2017 and are excited to perform for the first time in 7 years with their iconic 90’s lineup.

“We are family,” says John Henry Bourke, singer songwriter and rhythm guitarist in the band. “What started out in a basement took us all around the world, and we want to
celebrate a lifetime of playing music together. These days, we all have different projects and adult lives so it is really hard to find a date that works for all of us. But after all
these years, there is still some magic when the Tree Frogs take the stage. “

In the last two years, the Tree Frogs lost valued members of their family. Prior members Bob Wallace and Charlie Nanos died in 2023, and recently saxophone player Rob
Matthews lost his wife Knirke to cancer. The band is dedicating this show to her. 

Bourke says, “When someone close to you dies, you realize every moment is a gift, our time together is short, and we need to make the most of our lives while we are able. Knirke was such a shining light, who brought a sense of joy and wonder to living and she wanted a giant dance party in her memory. We aim to honor her request as best we can. This show will be an amazing celebration.”

Beyond their lives in the Tree Frogs, individual band members have gone on to write, record and perform together and separately in many other bands: Funk Shui, Cooper and the Jam, John Henry Band, Old Flames, Kris Delane and the Hurt, Hammerhead, Britnee Kellogg,Concrete Cowboys, and others.



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w/ Tithe & Dispossessed


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RESCHEDULED FROM 6/17/24 TO 7/8/24. TICKETS PURCHASED FOR 6/17 WILL BE HONORED FOR 7/8.

 

 

w/ Gordi



There is a question at the heart of “Faith Crisis Pt 1”, the third album from Sydney’s emotive indie trio Middle Kids. Over 13 propulsive, ecstatic and gorgeous tracks, songwriter and vocalist Hannah Joy attempts to tease out the question of belief; the breaking of it, and how it is rebuilt.

Co-produced by Tim Fitz and Jonathan Gilmore (The 1975, Beabadoobee), Joy and bandmates Fitz and Harry Day masterfully express the sensation of being overwhelmed, swept up and dragged down in songs that exalt and lift you higher.

“Faith Crisis Pt 1” is brimming with yearning, angst, pop brightness, belief in love and reassurance that even from the bottom, it’s possible to believe in beautiful things.

Middle Kids’ last album Today We’re The Greatest won Best Rock Album at the 2021 ARIA Awards. Released at the height of the pandemic, the album garnered the band several US TV show performances including Jimmy Kimmel Live, The Late Show with Stephen Colbert, and The Late, Late Show with James Cordon.

Middle Kids first gained attention in 2017 with their debut single, Edge Of Town and their debut album, Lost Friends, which won Triple J’s Best Australian Album Award in 2018. The success of their albums has also earned the band an international touring profile which has included supporting shows with the likes of Bloc Party, Kings of Leon, War on Drugs and Cold War Kids and festivals such as The Governors Ball, Lollapalooza, Osheaga Festival and many more.

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w/ Silver Triplets of the Rio Hondo 



Federale






Silver Triplets of the Rio Hondo

Sci-fi roadhouse music for dissociatives.



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THIS EVENT IS FREE AND ALL AGES 
2pm - 8pm during Mississippi Street Fair

DJs:

Sappho

Sol Elicio

Natasha Kmeto

 Come get your daytime rave on inside Mississippi Studios during Mississippi Street Fair! Enjoy live DJ mixes from Sappho, Sol Elicio, and Natasha Kmeto, spinning the finest tracks from the underground rave music scene.

THIS EVENT IS FREE AND ALL AGES 

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Magic Sword is an ageless tale of good and evil told through an ever expandinggraphicnovel with each volume accompanied by an original, synth-heavy soundtrack as well asimmersive live performances. With the three mediums intertwined from conception,together they create an epic experience for those bold enough to bear witness andcome away with a deeper understanding of the ultimate hero’s journey. Armed with amusical and visual aesthetic that has its roots unabashedly buried deep in the goldenera of ‘70s and ‘80s fantasy and sci-fi, Magic Sword’s followers are called to anotherplane of existence where the struggle between light and shadow becomes all too real.The multiverse has aligned to bring the people of the land together for the birth of theiralbum Endless, followed by a tour of the realm searching for the greater good.The Immortals are:The Keeper of the Magic Sword – red, keyboardsThe Seer of All Truths – blue, guitarThe Weaver of all Hearts and Souls – yellow, drumsThe Immortals give a direct account of their vision:“In the beginning there was light... and darkness. A creation of perfect balance. As timepassed, evil spread over the land like a plague, slowly consuming everything in its path.In the final moments before light was lost to the shadow for all time, a weapon of infinitepower was created, the Magic Sword. Thus, restoring balance to the universe.The genesis of things are often small. As the single seed grows to a mighty oak, so toodid the path of the Keeper begin as a single choice in an age long past. Once a humbleking, they were manipulated into unknowingly unleashing the Dark One.All of realitywas torn asunder as the Lord of Shadow was released from their ancient prison, havingbeen bound only by the power contained within the Magic Sword.From that day forth,the King was cursed to be the immortal Keeper of this powerful key. He has beenrelentlessly compelled for millennia to find the Chosen One who will one day unleashthe true power of the weapon and cannot rest until the grand design is seen completewith the Darkness bound once again.

Night Rider 87

 

USA West Coast based ＳＹＮＴＨＷΛＶΞ Project featuring a unique and futuristic sound heavily influenced by arcade games, anime, and all things cyberpunk!

 

 

Starcourt is a synth project based out of the northwest. Taking influence from horror films, heavy metal, and dance music from the 1980’s, Starcourt’s music is sure to get you to bang your heads and dance til you’re dead.

 

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w/ Small Paul


It’s obvious listening to Sarah Shook and the Disarmers’ clear-eyed, biting, and unafraid songs that integrity is the most important thing to the Chapel Hill, North Carolina, country-punk outfit. “A lot of artists are in this industry for fame, recognition, and money but those things don’t mean anything to me,” says bandleader River Shook. “Songwriting is it for me. It’s the only real healthy coping mechanism I've ever had. It’s life-saving. I don't care about any superficial things when I’m making a record.” On their resonant fourth album Revelations, produced by Shook and out March 29 via Thirty Tigers, these raw and resilient tracks come first. Throughout, Shook’s deft storytelling documents regular people getting by and keeping on, all presented without filter or pretension.

In 2022, Shook was remarkably productive. They released two albums: debut solo indie rock record Cruel Liars under the moniker Mightmare (Kill Rock Stars) and a third Disarmers full-length called Nightroamer (Thirty Tigers). Compared to every Disarmers record before that, which captured the in-the-room energy of the band with live recorded songs, the latter LP was instead more of a product of the studio with meticulous tracking sessions and an outside producer. While that effort was well-received, Shook believed the songs on Revelations deserved a more direct approach. “Since the Disarmers started in 2015, our strength has always been in our live performance,” says Shook. “To me, an album should capture the essence of a band. With this new set of songs that are all super special to me, I didn't trust anybody else to capture the songs and decide how to best serve each song.” Shook, who honed their production skills with their Mightmare LP and Izzy Ryder’s debut record, confidently took the reins during a blistering recording session, capturing 10 songs in two days.

For Shook, it was paramount the recordings match the band’s tangible live ferocity because these songs boast their most immediate lyrics yet. “All of my writing is autobiographical, and I write everything based on my observations and experiences,” says Shook. “But there was something about Revelations that felt more personal to me. I unlocked this level of honesty with myself and an ability to be more objective about the things I struggle with daily.” Take the title track, which finds Shook singing about the precariousness of navigating mental health under capitalism. Over a rollicking, twang-hued arrangement, they sing, “Black cloud followin' me around, little storm in my head / Some days I levitate off the ground, some days I can't get outta bed.” The track doesn’t preach or romanticize. Instead, it’s galvanizing and relatable.

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MOSTLY STANDING / LIMITED BALCONY SEATING

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w/ foamboy & Catal Hayuk

 

As they celebrate the 20th anniversary of their self-titled debut, Dengue Fever emerge with their most cohesive and immersive album to date. It’s been eight years since the release of The Deepest Lake; during this time new generations have been catching up to the same omnivorous music taste the band has practiced since its inception. Full-length number seven Ting Mong (September 15) captures yet another enthralling dimension of their genre-defying journey. A lot of groups working on their first new collection of songs in eight years would probably favour clamour and bombast - by contrast, Ting Mong seeks the sonic balm these times so desperately need.

Before the world went into full apocalypse mode, Dengue Fever were already looking for peace and quiet. Once the touring cycle of 2015’s The Deepest Lake was over, they were a band whose members needed time to focus on different ventures, whether those might be family or visual arts, session work or…metal detecting.

Never really on hiatus, band members were soon drawn back to each other. Ask them, and they’ll tell you that they are a band because they’re family first.

So they reconvened in 2019, rented a small cabin in the California desert near Joshua Tree, and converted it into a recording studio. They spent the day jamming and slept under the stars at night. Then, the pandemic hit, sending everyone into retreat. It was 2021 when Dengue Fever could meet in person again, and so they did: piecing together the many desert recordings they had, recording vocals, turning open jams into songs, casually reinventing their own music. They did a lot of writing, but also a lot of shredding. Of the 20 or so songs they ended up with, they only kept those that felt more natural and immediately fit in with Chhom Nimol’s one-of-a-kind vocal style. It had to be spontaneous. If in the past the band had extensively worked and reworked songs until they felt right for her, this time things simply had to come naturally. Tracks that sounded too tricky or had too many parts were swiftly scrapped. Dengue Fever were looking for a cohesive, mellow vibe. More than in the past, they set to play minimal, repetitive sounds, choosing nuance over intricate composition. And what they eventually emerged with was an album unlike anything else they had ever worked on. Ting Mong.

In Cambodian culture, a Ting Mong is an effigy of protection, a scarecrow-like figure usually placed at the entrance of a village or a home. It wards off diseases and evil spirits. We’re all in desperate need of a Ting Mong, band members occurred.

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Jah Wobble, born John Joseph Wardle on August 11, 1958, is an English bass guitarist, composer, and music producer. He gained prominence as the original bass player for Public Image Ltd (PiL), a post-punk band formed by former Sex Pistols frontman John Lydon (Johnny Rotten). Jah Wobble's distinctive bass lines and experimental approach to music have made him a notable figure in the world of alternative and world music. He has a vast back catalogue , including three big anthologies .  He still tours extensively with his band The Invaders of the Heart. He also tours performing Metal Box - Rebuilt in Dub.


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Bijoux Cone is a musician, producer and visual artist based out of Portland OR. Her music explores themes of love, loss and identity paired with lush melodramatic synth pop and disco synth grooves. As a transgender woman, her music celebrates and defends queer and transgender perspective. Bijoux Cone performs and tours actively as both solo artist, as well as with a full backing band. Bijoux Cone's debut album "Magnetism" was released in February 2020 on LA based label Cleopatra Records. Her forthcoming sophomore album "Love Is Trash" is pending release October 20 via Literal Gold Records. Bijoux's live band includes/has included members of Reptaliens, Chromatics, The Gossip, Kyle Craft and Gary Wilson & The Blind Dates.

Anna Diem is a Portland OR based songwriter, multi-instrumentalist and producer, spending most of her time exploring the alt-pop genre.

She released her self-produced, sophomore album Hello Oregon 0n Nov 1, 2022. Which was warmly received by Willamette Week, describing it as "an ambitious collection with touches of alt-pop, queer pop, and even soul as it dips its toe into synth-kissed hip-hop waters.

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MOSTLY STANDING / LIMITED BALCONY SEATING

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w/ Shop Regulars

 

 

Etran de L’Aïr

Etran de L’Aïr (or “stars of the Aïr region”) welcomes you to Agadez, the capital city of Saharan rock. Playing for over 25 years, Etran has emerged as stars of the local wedding circuit. Beloved for their dynamic repertoire of hypnotic solos and sun schlazed melodies, Etran stakes out a place for Agadez guitar music. Playing a sound that invokes the desert metropolis, “Agadez” celebrates the sounds of all the dynamism of a hometown wedding.

Etran is a family band composed of brothers and cousins, all born and raised in the small neighborhood of Abalane, just in the shadow of the grand mosque. Sons of nomadic families that settled here in the 1970s fleeing the droughts, they all grew up in Agadez. The band was formed in 1995 when current band leader Moussa “Abindi” Ibra was only 9 years old. “We only had one acoustic guitar,” he explains, “and for percussion, we hit a calabash with a sandal.” Over the decades, the band painstakingly pieced together gear to form their band and built an audience by playing everywhere, for everyone. “It was difficult. We would walk to gigs by foot, lugging all our equipment, carrying a small PA and guitars on our backs, 25 kilometers into the bush, to play for free…there’s nowhere in Agadez we haven’t played.”

From the days of the Trans-Saharan caravan in the 14th century to a modern-day stopover for Europe-bound migrants, Agadez is a city that stands at the crossroads, where people and ideas come together. Understandably, it’s here where one of the most ambitious Tuareg guitar has taken hold. Agadez’s style is the fastest, with frenetic electric guitar solos, staccato crash of full drum kits, and flamboyant dancing guitarists. Agadez is the place where artists come to cut their teeth in a lucrative and competitive winner-take-all scene. Guitar bands are an integral part of the social fabric, playing in weddings, baptisms, and political rallies, as well as the occasional concert.

Shop Regulars

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w/ special guest Robin Holcomb


Reared in Georgia and now settled in North Carolina, Jake Xerxes Fussell has established himself as a devoted listener and contemplative interpreter of a vast array of so-called folk songs, lovingly sourced from a personal store of favorites. On his latest album, When I’m Called—his first LP for Fat Possum, and his first as a parent—Fussell returns to a well of music that holds lifelong sentimental meaning, loosely contemplating the passage of time and the procession of life’s unexpected offerings. 

The album was produced by James Elkington and mixed by Tucker Martine. In addition to Elkington, it features the playing of Ben Whiteley (The Weather Station), Joe Westerlund (Bon Iver, Califone), and others. Blake Mills contributes guitars on several tracks. Joan Shelley and Robin Holcomb provide backing vocals. 

“…Fussell is the rare contemporary to approach folk in its pure form, shunning self-penned compositions about bummer relationships to concentrate on material handed down from bygone, hardened times.” – The New Yorker

“(Fussell) is one of the great magpies of American song, collecting forgotten, tarnished gems with a folklorist’s zeal… his renditions aren’t so much cover versions as composites…” – The Guardian

“…maybe the leading interpreter of American folk music right now.” – Ann Powers, NPR

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Spooky Boys are Portland’s favorite indie/surf rock group known for their jangly dripping wet guitars, relentless driving rhythm, and insatiable catchy melodies. The ‘Boys bring a fun and undeniable charisma to their energetic shows that leave crowds no choice but to dance along.

 

 

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Nori Reed is an iconic LA based comedian, writer, and actress originally from Christian County, Kentucky. Nori got her start in The Bay Area and was boldly named by SF Weekly as ‘Oakland’s Next Great Comedian’. Most recently, she wrote for seasons five and six of Disney’s Raven’s Home, creating Disney Channel’s first-ever live action trans character, which led to GLAAD award and Emmy award nominations. She was featured in New York Magazine as one of Vulture’s Comedians You Should Know and Will Know In 2021. Her stand-up has been showcased by Showtime, HBO Max, and at many celebrated festivals, including: Netflix Is A Joke Festival, Comedy Central’s Clusterfest, SF Sketchfest, and Outside Lands. Her writing was published in Vogue Magazine, and she wrote for Audible’s scripted series: Hot White Heist.

 

 

w/ Senza



Ragana

Ragana is a duo whose members alternate duties on drums, guitar, and vocals to produce some of the most unique and affecting dark music in metal today. The two-piece came together in 2011 in the DIY punk scene of Olympia, WA and are now based in Olympia and Oakland, CA. In their time together so far, Ragana have self-released 5 albums and teamed up with genre-favourite Thou for a split release in 2018. The following year, Ragana released their heralded We Know That the Heavens Are Empty EP and have quietly been working on new music ever since. The band signed with The Flenser in late 2022 and now announce their forthcoming debut LP for the label, Desolation’s Flower.

On Desolation’s Flower, Ragana draws upon a number of influences from the flora and fauna of their Pacific Northwest origins to the darkly nostalgic folk of Mt. Eerie and, yes, their Olympian forebears Wolves In The Throne Room, synthesizing them into an experimental, highly idiosyncratic take on black metal. Held together by an intense focus on raw emotion and haunting atmospherics, Ragana shifts seamlessly from tender, mesmerizing vocal harmonies to piercing, heart-ripping screams and back again, yielding music that is heavy, beautiful and punishing all at once.


Agriculture
 
For something to be “ecstatic,” the feelings and emotions it evokes must transcend what we tend to experience most regularly in our lives. Ecstatic joy isn’t just happiness; it’s a feeling of jubilation which impacts us emotionally and in a metaphysical, arguably spiritual sense too. Although it has long been associated with connotations of the dark and macabre, extreme music has the ability to be a powerful mode of expression for these feelings of absolute bliss, overwhelming love, and awe-inspiring sublimity. Extreme emotions no less and those which black metal quartet Agriculture evokes with its ecstatic subversion of the subgenre’s tropes.

What was initially a meeting and subsequent series of jam sessions between Kern Haug and Daniel Meyer, two musicians in the Los Angeles underground noise scene, would eventually manifest as a shared vision to portray the sublimity of the human experience through the vehicle of heavy music. Following the additions of veteran guitarist Richard Chowenhill and bassist/vocalist Leah Levinson to the band’s lineup, this idea would crystalize into the “ecstatic black metal” backbone of Agriculture’s music, first heard on the band’s 2022 debut EP, The Circle Chant.

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MOSTLY STANDING / LIMITED BALCONY SEATING

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